Craft online – Carolina Belles http://carolinabelles.net/ Wed, 13 Oct 2021 04:42:10 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://carolinabelles.net/wp-content/uploads/2021/10/icon-25-141x136.png Craft online – Carolina Belles http://carolinabelles.net/ 32 32 The very online music of Magdalena Bay https://carolinabelles.net/the-very-online-music-of-magdalena-bay/ https://carolinabelles.net/the-very-online-music-of-magdalena-bay/#respond Tue, 12 Oct 2021 23:38:59 +0000 https://carolinabelles.net/the-very-online-music-of-magdalena-bay/ Los Angeles-based musical duo Magdalena Bay creates highly curated and unmistakably high-end pop sounds for an era of internet celebrity. Singer Mica Tenenbaum and engineer Matthew Lewin write, produce, direct and edit their songs and videos together, balancing classy music with a cheeky online presence. Having now worked on their music for half a decade, […]]]>

Los Angeles-based musical duo Magdalena Bay creates highly curated and unmistakably high-end pop sounds for an era of internet celebrity. Singer Mica Tenenbaum and engineer Matthew Lewin write, produce, direct and edit their songs and videos together, balancing classy music with a cheeky online presence. Having now worked on their music for half a decade, becoming more confident in their craft, they are starting to optimize the process.

Despite all their flair, Tenenbaum and Lewin didn’t start out as pop artists. They met in high school, in 2011, during an after-school music program in North Miami, Florida, in separate groups. They started dating and creating together. Tenenbaum joined Lewin to do progressive rock in a band called Tabula Rosa. Tenenbaum sang and played the keyboard. Lewin played the guitar, mixed and produced the records. The music was more than well composed. The title song from Tabula Rosa’s latest album, “Crimson”, ends with a twisting twenty-minute epic of cascading guitar solos and piano arpeggios. Tenenbaum’s voice is clean and uncompressed, unmodified and pure in tone. The college separated them. Tenenbaum attended the University of Pennsylvania, where she spent her time performing with a female comedy troupe; Lewin went to Northeastern to study the music business. They got together during the winter break at college, looking to start a new project. What started out as a craft experiment, and a bit of an art joke, quickly turned into a full-time gig making real pop music. Never having seriously considered teen pop, they thought it would be easy.

When Magdalena Bay formed in 2016, several artists were already distorting the dimensions of pop, and a few of them became the model for the group: Grimes’ high-level electronic pop, art-pop relaxed and relaxed by Chairlift, and Charli XCX’s dive into the consumerist, hyperbolic PC Music Art Collective. Pop is often disparaged for its production of factory-like songs, and while this is still the norm, these contemporary pop artists emphasized the personal in their work. Until recently, Magdalena Bay was a DIY operation done entirely in the duo’s apartment. They didn’t get the pop feel right away: the early stuff, while competent, seems almost AI-generated in its lack of flavor. With more practice, the songs became more complete. Ultimately, their sound reflects the time invested in the Internet, incorporating sounds and rhythms online. On their 2020 EP “A Little Rhythm and a Wicked Feeling”, they laid the foundations for their musical future, as a slogan on their TikTok says: “Synthpop straight from simulation 💋.”

Their polished music is supported by a cross-media plan. The group mini mix series channels the degraded VHS quality of public access television and the antics of surreal comedy that usurped in the early twenties. A version of one of the songs, from their single “Killshot”, went viral on YouTube last year when it was edited in a popular format for the platform: with the music slowed down in slow motion, as a soundtrack of anime images. Magdalena Bay cleverly freed an official version a few months later in response. (In one of the their TikTok videos, Tenenbaum provides an overview of the bigger picture which is as wacky as the situation itself.) Much of the band’s social media works this way — extramusical content that is spooky, promotional, Where self-referential, bringing the viewer back into the orbit of music. Their Website refers to static Web 1.0 pages, when domains appeared to be isolated domains built with handmade HTML. Being very online isn’t just part of the appeal of Magdalena Bay; it is inherent in their construction of the world. Through an interactive program, they set out to establish their own pocket dimension.

Their debut album, “Mercurial World”, is by far the best, brightest and most thoughtful music they’ve ever made. Lewin said the album reflected in part the “madness” of their quarantine isolation. “We live together and make art together; it immerses you in our creative and island universe, ”he said. The music is beautifully self-contained, although it draws inspiration from several generations of pop style. If hyperpop, the micro-genre defined by its absurdity, makes a dizzying, inconsistent but euphoric mess of its many components, then Magdalena Bay takes a more sophisticated and streamlined approach, pulling similar source material to push in the opposite direction, creating something harmonious, orderly and chic. Kitsch quality, garishness, overwhelming amplitude are replaced by subtlety and ornate details. Songs such as “Hysterical Us” and “Secrets (Your Fire)” mix the vibrant neon brightness of Miami Beach, Ocean Drive, with the fast-paced, downhill funk of the West Coast.

The enchantment of “Mercurial World” comes from its perfectly synthesized sound. The duo’s crash course in pop produced a hybrid and sweet product. They cited figures from all eras — Madonna, Fiona Apple, Britney Spears — as influences, connections that are more felt than articulated. But this music also exists in a landscape sculpted by artists such as Rina Sawayama and Poppy, where art seems to interface with a wider internet culture. There are also more latent elements: the pastel hues of the most expertly arranged K-pop; the brilliance, haste and graphic color of video arcade mania; and the shift from modern indie pop to technique. As Tenenbuam’s vocals change from a squeaky half-whisper to a moan over “You Lose!” The track forms a screen of buzzing noises made of Pac-Man skeletons, springy synths and pounding drums.

The voice of Tenenbaum is at the heart of all these vibrant synthetic songs. She always seems to give a song exactly what it needs, with her vocals just tweaked enough to fit the aesthetic, whether it’s the faint echoes in “Dawning of the Season” or the hallucinatory whistles throughout. “Dreamcking”. From the title song, her vocals are gently channeled into the crevices of these whimsical productions, like the ornamental frosting on specialty desserts. In the muted chamber pop of “Prophecy,” Tenenbaum sounds almost cherubic, evoking the innocence of teenage pop from the turn of the millennium. “When you’re lying next to me / I don’t need to pretend,” she whispers. A song later, on “Follow the Leader”, she sings like a virtual idol navigating a nightclub simulator. Inside the “Mercurial World” with its clean design, his vocal performances give the music its illusory aspect and its candor. “I don’t want to tell you everything about me / I don’t want to give more oxygen to / Your fire,” she sings, on “Secrets (Your Fire)”, and that same silent sense of mystery is that which allows the music of Magdalena Bay to occupy its own dream space.


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Fizban’s entire Dragon Treasure table of contents posted online https://carolinabelles.net/fizbans-entire-dragon-treasure-table-of-contents-posted-online/ https://carolinabelles.net/fizbans-entire-dragon-treasure-table-of-contents-posted-online/#respond Tue, 12 Oct 2021 13:11:17 +0000 https://carolinabelles.net/fizbans-entire-dragon-treasure-table-of-contents-posted-online/ The full table of contents for Fizban’s Treasury of Dragons, the latest expansion for the Dungeons & Dragons tabletop RPG, is now available online. Preview copies of Fizban’s Dragon Treasure, the latest reference book for Dungeon & Dragons, are in the wild and fans are sharing the content online. While Wizards of the Coast previously […]]]>

The full table of contents for Fizban’s Treasury of Dragons, the latest expansion for the Dungeons & Dragons tabletop RPG, is now available online.

Preview copies of Fizban’s Dragon Treasure, the latest reference book for Dungeon & Dragons, are in the wild and fans are sharing the content online.

While Wizards of the Coast previously confirmed that the latest addition to the longtime tabletop RPG will focus on both new and old dragons, players now know precisely what to expect. The first chapter is dedicated to the creation of characters, especially the draconic one, with new subclasses and achievements. Chapter Two delves into the magic of the dragon, introducing a collection of new scaly beast-themed items. Chapter three focuses on how to effectively play a role as a dragon being, while chapter four details “lairs and treasures,” which will likely serve as key locations in many campaigns.


Related: Dungeons & Dragons Should Review Spelljammer & Dark Sun in 2022

Chapter Five is simply titled Draconomicon and includes information on a variety of types of dragons. Fans of D&D fifth edition will recognize a few entries, including red dragons and green dragons. Long-time gamers will also note the return of Gem Dragons, a subspecies that was missing from the current version of the game. Amethyst dragons, emerald dragons, and crystal dragons can all be seen in the chapter; many of these creatures were last seen in Dungeons & Dragons Third Edition. “For each type of dragon, this chapter provides inspiration to help DMs create dragon personalities and dragon-themed adventures, including sample lair cards,” the book reads. source.

While the previously mentioned chapters all contain information that will excite both players and dungeon masters, Chapter 6: Bestiary is probably where almost everyone will instantly drop by. This comprehensive list of monsters and enemies includes stat blocks for a wide variety of menacing creatures. As you would expect from Treasure of the Fizban Dragons, many dragon-themed encounters, including Dragonbone Golem, Dragonflesh Grafters, and Dragon Turtles.

Treasure of the Fizban Dragons was originally scheduled to launch on October 19, but due to “goblin issues“The book is now due out on October 26th. These pesky creatures clearly tampered with the Wizards of the Coast production line because they also delayed Strixhaven: A Chaos Program from November 16 to December 7. Although it can be boring for some, Dungeons & Dragons‘last adventure Nature beyond the light of the witches is available now and offers groups spooky expeditions into the mysterious Feywilds.

Continue Reading: Dungeons & Dragons: What You Need To Know About Fizban Before The Dragon Treasure

Source: Twitter

Eternals epic runtime confirmed


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Local arts and crafts now for sale online on the new website https://carolinabelles.net/local-arts-and-crafts-now-for-sale-online-on-the-new-website/ https://carolinabelles.net/local-arts-and-crafts-now-for-sale-online-on-the-new-website/#respond Tue, 12 Oct 2021 09:44:02 +0000 https://carolinabelles.net/local-arts-and-crafts-now-for-sale-online-on-the-new-website/ Shoppers will now be able to purchase beautiful Namibian arts and crafts online with the all-new www.namibiacraftshop.com. This initiative was initiated by the National Arts Council of Namibia which commissioned the Namibia Craft Center (NCC) to oversee and manage the development of an e-commerce portal that would showcase all Namibian arts and crafts. handmade. With […]]]>

Shoppers will now be able to purchase beautiful Namibian arts and crafts online with the all-new www.namibiacraftshop.com.

This initiative was initiated by the National Arts Council of Namibia which commissioned the Namibia Craft Center (NCC) to oversee and manage the development of an e-commerce portal that would showcase all Namibian arts and crafts. handmade.

With all the foreclosure restrictions that have been implemented around the world, it has come at an opportune time for artisans to expand their distribution beyond traditional stores and markets.

GIZ Namibia’s Business Advisory and Economic Transformation Promotion (ProBATS) program provided funding to NCC for the labor-intensive task of content collection and site management. e-commerce, as well as digital marketing support.

The Covid pandemic has caused global lockdown, which has crippled tourism. The Namibian economy in general, and MSMEs in particular (such as artisans, small-scale arts and crafts manufacturers) are struggling to survive due to their dependence on tourism. The lack of travelers and tourists to Namibia meant that Namibian souvenirs and handicrafts had lost the majority of their customers. However, www.namibiacraftshop.com makes these beautiful and desirable products available online, allowing artisans across Namibia not only to be represented in the physical stores of the Namibia Craft Center, but also online.

Easy to navigate, the well-designed website offers visitors and especially buyers an exceptional and secure online shopping experience. The products range from souvenirs, jewelry, leather goods, art and collectibles, recycled crafts, clothing and many other products. Payments can be made just like any other shopping platform and are safe and secure with various payment options. Shipping is facilitated by NCC’s partner DHL.

Shareen Thude, Chief Executive Officer of the NCC said: “This step forward we have taken as a sector in creating and launching www.namibiacraftshop.com cannot be underestimated. Namibian arts and crafts made by very talented small businesses deserve to be available on the global internet platform.

“We want to establish a comprehensive portal for the arts and crafts sector and continue to invite artisans across Namibia to contact the NCC so that the product line can be expanded,” she added.

Meanwhile, with the expertise of ProBATS, SMEs are being helped to maintain the viability of their businesses, to open up new perspectives and to enable artisans to adapt during the pandemic.

The online sales platform, www.namibiacraftshop.com is a direct result and demonstrates that entrepreneurs and SMEs are able to adapt to disruptions and maintain business operations and the overall sustainability of the company. Empower women and men to continue to provide for their families and communities and use the internet as a sales tool to empower them in a whole new way.



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Local manufacturer teaches his craft online https://carolinabelles.net/local-manufacturer-teaches-his-craft-online/ https://carolinabelles.net/local-manufacturer-teaches-his-craft-online/#respond Sat, 25 Sep 2021 21:48:59 +0000 https://carolinabelles.net/local-manufacturer-teaches-his-craft-online/ By Christian Bétancourt When Liberty Hill maker Joe Pieczynski recorded himself unraveling a wolf spider by removing the down from each of its paws one fateful morning, he never dreamed he would be seen a million times. in the world. His YouTube channel has racked up over 26 million views. “I had a tampon in […]]]>

By Christian Bétancourt

When Liberty Hill maker Joe Pieczynski recorded himself unraveling a wolf spider by removing the down from each of its paws one fateful morning, he never dreamed he would be seen a million times. in the world. His YouTube channel has racked up over 26 million views.

“I had a tampon in the store that produces a lot of cotton fiber,” he said. “One of those three-inch-long wolf spiders came through and got tangled. He looked like a fuzzy little snowman walking on the ground, and I felt bad. I didn’t want to see him die. I leaned over the floor with a sharp piece of steel and tweezers. When I removed the material from his first foot, he stood perfectly still and lifted each leg one at a time and let me do all eight legs.

At that time, the idea of ​​recording the incident was far from Pieczynski’s mind. He said he was amazed by the interaction and pleasantly surprised when he was able to reproduce it, this time with his camera ready.

“Another crawled under the road one day, the same situation got tangled up,” he said. “I put the camera on the ground with a scale and an X-Acto knife, and I filmed it. It has gone viral. The spider video has gotten 2.8 million views. It was just a quirky feeling. The other videos all north have a quarter of a million (views) each. “

Of the more than 300 videos on his channel, only a few contain arachnids. The vast majority display their 47 years of knowledge in manufacturing and machining, and how to build anything from screws to fully functioning replicas of 1800s steam engines.

“They’re not going to teach you these things in trade school,” Pieczynski said. “You will learn this in 40-50 years of practice. It is specially designed to help new and existing machinists, mechanics, hobbyists, top guys learn things not in the book.

The creation of the channel came to Pieczynski after seeing other videos on the subject that he just did not like.

“One day I was eating my lunch and watching a video on what they call threading,” he said. “I watched so many videos that only gave bad advice. I put down my sandwich, grabbed my Go-Pro and shot my first video. That video just turned into thousands of comments, thousands of questions, and thousands of views. I realized there was a demand for some type of tutorial or mentor in this area.

About 130,000 people subscribe to Pieczynski’s channel, with its videos seen in 127 countries around the world.

“I receive emails from Russia, New Zealand and South Africa,” he said. “I have a lot of supporters in the UK and all over the US. They received me very well and I am moved. I had no expectations. I just wanted to (show them how I did it). I did medicine, I did aerospace, I did the military. I made parts that are in orbit and parts that revolve around the ocean floor. I filled the whole range.

Pieczynski knew from an early age that he would spend his life making things from blocks of raw material. He was fortunate enough to be able to learn the trade during his formative years at school.

“My school was a very technical high school,” he says. “When I walked into my first machine shop in 1970, I saw the machines cut wood and steel and fall apart. I just fell in love with the fact that if you can run this machine you can do anything. A block of steel can sit there and rust for a million years and still be a block of steel. If you can make this machine work, you can turn it into something cool.

Originally from New Jersey, Pieczynski and his wife decided to move to central Texas 25 years ago and live in Round Rock.

“I’ve been in the same house since I moved to Texas,” he said. “My wife is just sick of the cold, and I’m sick of shoveling snow at 3 am six months a year, and I said ‘we have to do something different. “

After a successful career as a designer for an orthopedic company in Austin, Pieczynski ventured eight years ago and opened a boutique near US Highway 183 in Liberty Hill. Its Advanced Innovations LLC store serves a wide range of customers in the medical field.

“I customize, repair and modify surgical tools to make them more comfortable and ergonomic for surgeons during the procedure,” he said. “I was a former Associate New Product Design Engineer for Sulzer Orthopedics here in Austin. When we learned that a designer now had his place, I began to receive requests. One turned into several thousand and turned into a full-fledged business.

Pieczynski produces and uploads around eight videos per month for his fans. He says he will continue to make videos, but his clients will always come first. At 63, he says he will continue to look after his viewers and customers until he can no longer do so.

“Maybe in five years I will downsize,” he said. “Maybe I’ll be retired. Maybe a store behind my house. A much smaller store with AC and I take my time with what I do. I can’t imagine not doing it. I will do it as long as I breathe. I just love the creativity of making something from scratch. I hope everyone is as happy with their daily work as I am.

To watch his videos, search for the English Bulldog avatar and search Joe Pieczynski on YouTube.


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Riot Art & Craft online business sold to ‘related entity’ prior to liquidation https://carolinabelles.net/riot-art-craft-online-business-sold-to-related-entity-prior-to-liquidation/ https://carolinabelles.net/riot-art-craft-online-business-sold-to-related-entity-prior-to-liquidation/#respond Wed, 28 Oct 2020 07:00:00 +0000 https://carolinabelles.net/riot-art-craft-online-business-sold-to-related-entity-prior-to-liquidation/ Westfield Shopping Center in Doncaster, Victoria. Source: AAP. The liquidator of art supplies retailer Riot Art & Craft confirmed that the company’s e-commerce arm was sold to a “related entity” before the business collapsed. Riot arts and crafts closed its 56 stores last week, after going into liquidation and informing staff members by SMS that […]]]>

Westfield Shopping Center in Doncaster, Victoria. Source: AAP.

The liquidator of art supplies retailer Riot Art & Craft confirmed that the company’s e-commerce arm was sold to a “related entity” before the business collapsed.

Riot arts and crafts closed its 56 stores last week, after going into liquidation and informing staff members by SMS that they were no longer employed.

A post on Riot Art & Craft’s website claims the e-commerce side of the business continues to operate “under new management,” however, former company employees questioned independence new owners.

Riot Art & Craft online business is now operated by a company called Riot Stores Pty Ltd.

According to the Australian Business Register, Riot Store Pty Ltd has been active since January 2020. The terms and conditions page on the Riot Art & Craft website also refers to another entity, a trust, which has been active since April 2020.

Liquidator Nicholas Giasoumi of insolvency firm Dye & Co was appointed to handle the liquidation of SLKALT Pty Ltd, the company that operated the Riot Art & Craft business, on October 19.

Wednesday he confirmed SmartCompany the company entered into a “sales contract in April with a related entity to purchase the e-commerce business operated by the company”.

This related entity has “joint directors” with SLKALT Pty Ltd, confirmed Giasoumi, although he declined to disclose who these directors are.

The company’s intellectual property assets are believed to be part of the sale, including the Riot Art & Craft name, but Giasoumi has confirmed that no physical stores were sold.

Details of the sale will now be considered by the liquidator, although he says at this point that it appears that an independent assessment was carried out prior to the sale and that it “appears to have been done above the board” .

“There is no indication that creditors have been disadvantaged,” Giassoumi said, although a proper investigation is still being carried out.

SmartCompany contacted Michael Kurc, director of SLKALT Pty Ltd, for further comment, but referred all questions to Giasoumi.

Over the past week, former Riot Art & Craft employees have shared their shock upon learning of store closings via text message, along with repeated assurances that more stock will be filling nearly empty shelves.

“They continued to reassure us, even the week before the manager emailed us, saying the stock was on their way,” former employee Sophie Newcome told nine.com.au.

“What angers me the most is that in the last few weeks we started working as usual, hoping to get paid, but we weren’t.

“This is after the last fifteen weeks spent in what was almost an empty store telling customers that stock was arriving this week.”

This article was updated at 8:00 a.m. on Thursday October 29 to include additional information about Riot Stores Pty Ltd.


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12-year-old Nigerian girl Favor showcases her sewing craft online https://carolinabelles.net/12-year-old-nigerian-girl-favor-showcases-her-sewing-craft-online/ https://carolinabelles.net/12-year-old-nigerian-girl-favor-showcases-her-sewing-craft-online/#respond Thu, 13 Aug 2020 07:00:00 +0000 https://carolinabelles.net/12-year-old-nigerian-girl-favor-showcases-her-sewing-craft-online/ – A 12-year-old girl, Favor Adebayo, is a proud tailor of her trade as she asks people to patronize her department – In a post on Twitter, she asked people to retweet her for wide patronage as she also does door-to-door deliveries – When people pointed out that it is dangerous as a minor to […]]]>

– A 12-year-old girl, Favor Adebayo, is a proud tailor of her trade as she asks people to patronize her department

– In a post on Twitter, she asked people to retweet her for wide patronage as she also does door-to-door deliveries

– When people pointed out that it is dangerous as a minor to go to people’s homes, Favor and a family member replied that an elderly person always follows her

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In a time when adults are looking for new ways to make money as the global economy crumbles due to the raging pandemic, Lagos State baby girl Favor Adebayo has already charted its path to economic independence.

At 12, Favor took to Twitter with his incredible tailoring skills. The intelligent girl not only learns the trade, she is already working as a tailor.

Read also

Fascinating Details About Catherine Mooty: Her Life In Detail

Armed with the endless possibilities of social media, the 12-year-old is ready to give plenty of competition in the trade a good run.

In a tweet she made on Tuesday, May 11, the girl is not only proud to be a tailor, but said she is open for business and can offer a home service to anyone interested in the condition. .

As is customary on the micro-messaging platform, she asked Twitter users to help her retweet her business on their TL so that it could have a wider reach.

Favor tweeted: Hello everyone! My name is Faveur. I am 12 years old. A proud tailor, I live in Lagos and have a passion for sewing. I can come to your home, get your measurement and still deliver to you. PLS RT when you see this my clients could be on your TL. Thank you very much and God bless you “

With the way her post received a lot of positive feedback from people, she might soon have a flood of orders. Below are some reactions:

Read also

Another Nigerian is successful and makes international list of people under 30 who are successful in art and style (photos)

When someone explained how dangerous it can be to go to people alone, an older family member said he was accompanying him.

More reactions below:

A collage of the 12 year old taking measurements and his room.  Photo source: Twitter / Favor Adebayo
A collage of the 12 year old taking measurements and his room. Photo source: Twitter / Favor Adebayo
Source: Twitter

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Meanwhile, Legit.ng reported earlier that there is simply no limit to how Nigerians will make a living and create a better future while putting their amazing skills to good use.

A bright 17-year-old, Popoola Kehinde Esther, gained media attention after a Twitter user with the handle @ThepreciousAda posted her video online.

The bright girl is repairing heavy equipment, forklifts. The teenager hopes to study engineering and complement her mechanical expertise.

The Twitter user’s father asked him to post the video of the girl so his assistants could locate her and make her dream come true. In the clip, the SS2 student said she has a strong passion for the work she does.

Read also

India Reynolds Highlights: Youth, Education & Current Career

The little chef who wants to become a banker | Legitimate television

Source: Legit.ng


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Masters of their profession: the online event showcases skills passed down from generation to generation https://carolinabelles.net/masters-of-their-profession-the-online-event-showcases-skills-passed-down-from-generation-to-generation/ https://carolinabelles.net/masters-of-their-profession-the-online-event-showcases-skills-passed-down-from-generation-to-generation/#respond Fri, 01 May 2020 07:00:00 +0000 https://carolinabelles.net/masters-of-their-profession-the-online-event-showcases-skills-passed-down-from-generation-to-generation/ There is no doubt that a knack for getting things done works in families. Sometimes it’s as simple as skills passed down from generation to generation. Often it’s a bit more complicated. I know a ceramist known for her meticulous work. Each piece is sanded and fired more times than it wants to mention. Where […]]]>

There is no doubt that a knack for getting things done works in families. Sometimes it’s as simple as skills passed down from generation to generation. Often it’s a bit more complicated. I know a ceramist known for her meticulous work. Each piece is sanded and fired more times than it wants to mention.

Where did you find your talent from? ”I asked, in that typical Irish way. We always think talent has to come from somewhere. She laughed.“ I always wondered, until I did. ‘examine my family history, “she said.” The gravediggers on one side and the lace-makers on the other! ”

How craftsmanship is passed down through families is the subject of Generation, an exhibition scheduled to take place at the National Design and Craft Gallery this spring. Currently, it is a virtual event, broadcast episodically on Facebook and Instagram.

For some exhibitors, the lines of inheritance are simple. Cara Murphy, a silversmith from Hillsborough, County Down, shares a workshop with her goldsmith father, Michael McCrory. Both work at the end of the fine art spectrum, although they use traditional skills, and Murphy makes extraordinary sculptural tableware (starting at € 260 for a 3cm bowl). His talents as a goldsmith were passed on to him by his father; the enamelling she learned from her mother. Deirdre McCrory, say hello.

A little further south, in Emyvale, Co. Monaghan, Ryan Connolly makes custom furniture (starting at € 630 for a side table) at his father’s business, Connolly Furniture Ltd .

“My dad found his niche as a furniture maker, building a successful home furniture manufacturing business,” Connolly writes. “It was Ireland in the ’70s and’ 80s, there was only room for function. If you took the time to do something with your hands, it was made to last. Nothing was done. wasted. being able to continue to embed my father’s values ​​into my own work, I feel like I’m going to stay on a sustainable path. “

The history of Morne Textiles, producer of contemporary woven textiles, began in 1947 when Norwegian weaver and designer Gerd Hay-Edie came to Ireland and set up her workshop on the edge of Carlingford Lough. She was an extremely knowledgeable person and throughout the 1950s made hand-woven upholstery fabrics for furniture designed by Robin Day and produced by Hille.

She once described her design process: “I’m the fashion in newspapers and magazines. Then I let it flow until you realize that from the current designs comes the next development. For me, the past follows the future. “

It’s a comment that is still relevant today for his grandson, Mario Sierra, who now runs the business with his mother, Karen Prescott.

“There were some incredibly vivid colors in his fabrics,” says Sierra. “She called them bright colors. When you put them on the loom, you wondered – where did it come from? But then the fabric was woven and you could see the balance in it.”

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Enamel knots by Cara Murphy

Mourne Textiles cushions start at around € 86; covers are at € 223; and the upholstery is around 206 € per meter.

One of the key concepts of Generation is the dynamic relationship between the future and the past. The exhibitors, according to craftsman Glenn Adamson, were “assembled on the basis of two criteria: the avant-garde qualities of their work and the legacy each has received from their own family. In the exhibition we see how the first of these is nourished by the second; the way in which experimentation is based on transmitted knowledge. “

There’s a similar story – albeit unrelated (ahem) to the Generation exhibit – behind the designs of Olga Shevchenko, a Russian designer based in London, who launched Olenka, a household goods brand dedicated to handcrafted heritage. Russian. It started with wallpaper designs inspired by Khokhloma art and has recently spread to lampshades. The fabrics will follow. Olenka wallpaper costs around € 136 for a 10-meter roll; the lampshades are 110 €.

Generation is organized by Frances McDonald and Muireann Charleton. The other exhibitors are: Hugo Byrne, Mark Campden, Róisín de Buitléar, Alla Sinkevich and Katharine West. See @NDCGallery and @DCCIreland. See also oleankadesign.co.uk, connollyandcompany.com, deuiletextiles.com.

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Karen Prescott and Mario Sierra from Morne Textiles


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Anthony Bourdain and Max Hazan from the Raw Craft Online series – Robb Report https://carolinabelles.net/anthony-bourdain-and-max-hazan-from-the-raw-craft-online-series-robb-report/ https://carolinabelles.net/anthony-bourdain-and-max-hazan-from-the-raw-craft-online-series-robb-report/#respond Thu, 05 Oct 2017 07:00:00 +0000 https://carolinabelles.net/anthony-bourdain-and-max-hazan-from-the-raw-craft-online-series-robb-report/ What happens when you blend some of the best Speyside whiskeys in the world, an outspoken culinary master and a bespoke motorcycle builder? You get gross. Raw craftsmanship, This is. The online series, produced by the Balvenie distillery, highlights rare artisans in the United States who share their craft with an audience of nearly 40 […]]]>

What happens when you blend some of the best Speyside whiskeys in the world, an outspoken culinary master and a bespoke motorcycle builder? You get gross. Raw craftsmanship, This is. The online series, produced by the Balvenie distillery, highlights rare artisans in the United States who share their craft with an audience of nearly 40 million viewers since 2015. Producer of some of Speyside’s finest single malt Scotch whiskey, the famous spirits brand called on Anthony Bourdain, the author, television personality and celebrity chef to host the series.

Now in its third season, the show has explored a variety of trades, including shoemakers, typographers, whiskey distillers, and even a cutler who handles meteorites for cutlery. The latest episode debuts today, one that stars motorcycle builder Maxwell Hazan from Hazan Motorworks.

Max Hazan and Anthony Bourdain hit the road

Photo: Courtesy of Balvenie

Hazan produced 15 custom bikes during his career, ranging in cost from $ 30,000 to over $ 100,000, with high-end bikes taking over six months to build. Its unmistakably styled bikes feature vintage motors, hand-formed aluminum and, at least in one case, a blown-glass oil tank.

As the episode began filming in downtown Los Angeles, RobbReport.com had the chance to sit with Hazan and Bourdain in the Hazan Motorworks workshop. The 800-square-foot enclave, perched high above the Fashion District and beyond the vibrant chaos of fruit vendors and assorted textiles, is a gearhead’s paradise – a studio where bikes are both functional and formalities materialize in motorized sculptures like no other.

Antoine, why did you choose Max Hazan as the subject for this series?

Anthony Bourdain: She’s a remarkable person who makes extraordinary things by hand, in direct contrast to conventional wisdom and the expectation of what one should do with one’s life – it’s a romantic notion that I feel. attracted.

What was it like to ride a Hazan Motorworks motorcycle?

AB: We were in what is called Pinto Valley, and it was awesome. I’m a novice and he showed me how to do it given my limited skills, it was amazing.

Hazan Motorworks Supercharged Ironhead Ducati

Hazan Motorworks Supercharged Ironhead Ducati

Photo: Courtesy of Shaik Ridzwan

How are Max’s motorcycles different from others you’ve ridden throughout your life?

AB: Well, I think you just have to look at them to understand the work that goes into it, that each piece is made by hand, it shows at first glance. They ride like any bike I have ever experienced.

Is it their aesthetic that you find so convincing?

AB: Yes, but they are also fully functional. There are no superfluous design features on its bikes. Everything works, everything has a purpose. They are quite minimal and beautiful.

I can appreciate minimalism and maximalism. I tend to aspire to austerity. It is in a way the Japanese minimalist approach, a flower in a vase rather than an entire bouquet, beauty reduced to the essential. But I like something really extravagant and baroque sometimes too, it depends on my mood.

Max Hazan and Anthony Bourdain in Max’s studio sharing a glass of Balvenie whiskey

Photo: Courtesy of Balvenie

Max, what do you find so distinctive about your motorcycles?

Max Hazan: I was ready for that question, because I thought Anthony would ask me. On paper, there isn’t much of a difference. There are two wheels and a motor. But you don’t have to be a motorcycle enthusiast to love my bikes. Suppose someone walks by the parked motorcycle, they don’t need to know what kind of bike it is, but it does affect them. I think that’s the difference. It’s something that appeals to everyone, whether they understand the mechanics or not.

Does every bike have an owner before it is finished?

MH: Now it is. And that’s how I like to build bikes. It was a little scary at first when I was going to spend six months building something and didn’t know what was going to happen. So when I have a commissioned project, that’s fine, because I have a schedule to build it, and I always stick to the schedule. I treat it like I treat my old business [an interior design & contracting company in New York City]. I have to finish on time, I have to deliver and it should be.

Is there anyone else involved in the building process?

MH: I have part-time help coming in but it’s really difficult when you build a one-off creation to delegate the processes. I have tried and I usually end up with someone looking at me. It’s hard. If someone asked me to build an exact replica of an existing bike, I would have a team of three. We would finish it in a month. But there would be nothing unique about the bike. That’s why it’s starting from scratch every time.

It seems to be part of your creative force. You approach each bike with a fresh outlook, challenging your own artistic personality.

MH: I still think that maybe one day the well will run dry. What will happen when I can’t think of anything? But usually at some point in each project I have an idea for another. So far, I haven’t missed one.

Does each bike start on the drawing board?

MH: I usually start from an idea of ​​an engine, a valuable engine that is a unique mechanical part. Usually the engine will dictate what I want to build around it and then I start to introduce it.

Hazan Motorworks Motorcycle

Hazan Motorworks Supercharged KTM Motorcycle Featured In Raw Craft Episode

Photo: Courtesy of Shaik Ridzwan

Where do you find your inspiration?

MH: I find that if you take care of the rest of your life, your health, your personal relationships, and you think with a clear mind, then it will come. I’ve always been obsessed with making things no matter what, I just loved building things from my imagination. I didn’t have a predetermined goal to become a motorcycle builder. I built a few motorized creations from bike parts in my dad’s garage when I was injured from an off-road driving accident and unable to work. I suddenly found myself making custom motorcycles.

How has your building process evolved over the years?

MH: I’m self-taught with all of this, I didn’t do my apprenticeship with anyone. Usually it’s all in my head unless it’s a precision part for an engine, so I’m going to write everything down because there is a control and, with the engine, there isn’t a lot of room to error, everything must be done perfectly.

When I first worked for myself, it was hard, because you don’t know when you’ve done enough; there is no reference for when the day begins or ends. So now I work ten hours a day and then I go home. I find that after ten hours productivity, like the efficiency of the brain, drops. You start to make mistakes and go down the wrong path.

Do you have a favorite bike that has been around the world? Or is it still to come?

MH: They’re all coming. I really like the process of building the bikes. A lot of people ask me if I am sad when they leave. Not really. I’m usually ready for the next one. I mean, I have a little attachment to everyone, but it all comes out for me during the creation process, and I can move on.

For more information or to place an order, contact Max Hazan at max@hazanmotorworks.com.


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MBA Students Help Salt Maker Malden Build Online Marketplace | Company https://carolinabelles.net/mba-students-help-salt-maker-malden-build-online-marketplace-company/ https://carolinabelles.net/mba-students-help-salt-maker-malden-build-online-marketplace-company/#respond Sat, 03 Jun 2017 07:00:00 +0000 https://carolinabelles.net/mba-students-help-salt-maker-malden-build-online-marketplace-company/ Fresh eyes and a fresh perspective can fuel business growth, even for a business that has been around for a few years, like JQ Dickinson Salt-Works in Malden. That’s what co-founder Nancy Bruns said after the salt-making company, which began in 1817, received help last week from four University of Michigan MBA students to develop […]]]>

Fresh eyes and a fresh perspective can fuel business growth, even for a business that has been around for a few years, like JQ Dickinson Salt-Works in Malden.

That’s what co-founder Nancy Bruns said after the salt-making company, which began in 1817, received help last week from four University of Michigan MBA students to develop an online marketplace for Appalachian food and craft vendors. The students spent a week at the company and gave Bruns a 32-page report on Friday on how to grow the website and get more businesses in the area to participate.

“I think as a business owner it’s easy to get caught up in the day-to-day work and lose sight of your long-term vision,” Bruns said. “I’ve always wanted to have a platform for local growth, and having this expertise in town to help me is something I don’t want to refuse.”

The students visited JQ Dickinson Salt-Works as part of the University of Michigan’s Ross Open Road initiative, based on Harvard University’s Across America MBA program, which helps local businesses across America to achieve their community development goals.

This year, three teams each visited five small businesses in five weeks. The WCKD team, consisting of Wiles Kase, Colleen Hill, Kenji Kaneko and Dilparinder Singh, made their final stop at JQ Dickinson Salt-Works.

The program helps students gain experience outside of the classroom by immersing them in real life situations where they are required to quickly learn about the company and its situation, Hill said. In return, companies receive help from students in anything they aim to implement, whether it is strategic planning, awareness and marketing, or adjusting some aspect of their business. operations, she added.

“This attracts an atypical business student who wants to understand local businesses across the country,” Hill said. “A lot of [the program] concerns the social impact that these entrepreneurs can have if given the right direction.

Traveling by rental car, the team began their trip to Michigan, helping the Detroit Training Center launch a program connecting Flint residents with employment opportunities. The team then traveled to Omaha, Nebraska, to help Gilden Tree, a small business specializing in eco-friendly body care products, followed by Ba-Nom-a-Nom of Denver, which sells a fruit alternative to ice cream. The fourth destination was New Orleans, where the team worked with the Roots of Renewal community development association in New Orleans on a marketing campaign.

After wrapping up their week with Roots of Renewal, the team was eager to help JQ Dickinson Salt-Works in his efforts to boost similar businesses in the region.

“When we learned [Bruns’] passion for community development and helping entrepreneurs in this field to sell their products nationwide and get more business, that intrigued me and all my teammates very much, ”said Hill.

The JQ Dickinson Salt-Works story also caught the team’s interest, Hill said. The business dates back to when the Dickinsons first drilled for brine – the source of salt – from the ancient Iapetus Ocean beneath the Appalachian Mountains. The Kanawha Valley rose to prominence in salt production soon after, but Dickinson’s salt trade eventually died out in the 1940s, Bruns said.

Bruns and Lewis Payne, two descendants of the Dickinson family, relaunched the company in 2013. The company still uses the Iapetus Ocean as a source of brine, which is evaporated in solar greenhouses, and then the remaining salt is harvested at the hand. This salt is then packaged and sold to customers, which include more than 500 different retailers and restaurants nationwide, according to Bruns.

With JQ Dickinson being the last stop on the tour, the WCKD team had gotten used to the initiative process for each company.

“We arrived on Sunday and Monday, we’ve gathered all the information we can about the company,” Kaneko said. “On Tuesday we started to take charge of the project and understood what we really wanted to do with [J.Q. Dickinson Salt-Works’] online platform.

Ahead of the team’s visit, Bruns said she originally wanted JQ Dickinson Salt-Works to help distribute products from local suppliers to retailers. That quickly changed once the students arrived and noted the low profit margins involved in going through a middleman, and instead suggested developing a website where sellers could show and sell their products, according to Bruns.

Bruns said she liked the idea because it still worked towards her goal of helping local businesses, including her own, expand their presence nationwide. About 13 companies are considering entering the online marketplace, including Brookstone Soaps and Bluestone Mountain Farm, she added.

“There really is a future in Appalachian cuisine,” Bruns said. “If we can partner with and promote other artisans and suppliers, it can really help everyone in West Virginia grow.”

Kase said many of the initiative’s companies are startups without a lot of capital or an established brand to work with, but JQ Dickinson Salt-Works was the opposite.

“We have been able to operate at a higher level here on the strategic and tactical spectrum,” he said. “So we can really make their project bigger and better than what we’ve done before. “

Bruns said she hopes programs like the Ross Open Road initiative will make West Virginia a frequent stop to help local businesses in the state improve and improve others.

“I feel very lucky to have been a part of the program,” she said. “It’s hard to say in words how valuable something like this is to a business. “


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Maison Numen offers a multitude of Latin American crafts online https://carolinabelles.net/maison-numen-offers-a-multitude-of-latin-american-crafts-online/ https://carolinabelles.net/maison-numen-offers-a-multitude-of-latin-american-crafts-online/#respond Fri, 01 Jul 2016 07:00:00 +0000 https://carolinabelles.net/maison-numen-offers-a-multitude-of-latin-american-crafts-online/ Launch of a new Maison Numen online platform with Latin American crafts Nowadays, people are increasingly interested in the authenticity of their design – always intrigued by the craftsman behind the cutlery or the craftsman responsible for the intricate weaving of their rugs. The new Maison Numen online store takes it a step further, capturing […]]]>

Launch of a new Maison Numen online platform with Latin American crafts

Nowadays, people are increasingly interested in the authenticity of their design – always intrigued by the craftsman behind the cutlery or the craftsman responsible for the intricate weaving of their rugs. The new Maison Numen online store takes it a step further, capturing design stories from hidden corners in often overlooked areas of the design world.

The brand’s first project explores Latin America. From the craftsmen of the peripheral Venezuelan part of the Andes to the Mexican colonial pockets, Maison Numen shares these indigenous talents in a first collection entitled “Latin Animae Vol 1”.

The inaugural range includes textiles, woodwork and ceramics, all from Peru, Guatemala, Venezuela, Mexico or Colombia. What they have in common: they are all handcrafted in their region of origin, transposing their cultural characteristics into unique works of art.

After traveling themselves to collect the creations, the founders Jessica Macias and Ana Caufman strive to share the special culture of their star designers, telling us about the difficulties they had to cross these places. The Amazon River in Venezuela, for example: “Everything is dry right now,” says Bader Gonzalez, Marketing Director of Numen, “so you can’t even access it right now”.

Ordered according to the themes “Atlas”, “History” or “Materials” on the Maison Numen website, each piece has a personality and character that relates to its origin. There is a slight quirk in the Talavera technique and katalox wood that can only be found in Mexico, and a sense of softness in the organic “Wii” baskets created in the Amazon rainforest by its female indigenous inhabitants.

While many of these pieces remain traditional in style, a contemporary look is evident in the clean, creamy ceramics made from Jiutepec clay, from Morelos, Mexico. Designers have rejuvenated the tropical material and turned it into modern, minimalist design pieces.

“We grew up with them,” Macias says when asked which model was his favorite, “they’re our babies! The Maison Numen is launching a second collection, ‘Latin Animae Vol 2’, in September.


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