National Art Shop celebrates 50 years as a family business

For many years, Jerry Sanders overheard his mother and identical twin complaining that there were no art supply stores in Springfield.

The two passionate and talented artists had to order their supplies from a house paint store.

“And (the stores) would order when they wanted to,” said Jerry Sanders, 78. “So I thought about that one day. I thought maybe I should put one on.”

The year was 1970.

Sanders, who was employed by the railroad at the time, had an eye on the small building next to the Springfield Art Museum. (Back then, the building was a grocery store. Today, it’s the National Avenue hair salon.)

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“I walked in and – what do you know – but my cousin worked in this store,” Jerry Sanders said. “We talked and he said, ‘Oh, we’re going to close this store.'”

Jean Sanders was sitting nearby and urged her husband to “speed up the story”.

He loves to tell stories, explains Jean Sanders.

“I was like, ‘Ah, there’s a store here that I maybe can rent. So, to make it short,” he said, as Jean rolled his eyes, “they closed. the store a few weeks later. “

Jerry Sanders said he ended up renting this building for $ 110 per month for the next five years and named his store the National Art Shop.

Jerry and Jean Sanders will be celebrating the 50th anniversary of the National Art Shop.

In 1986, they moved the store to its current location at 509 S. National Ave. (More on this shortly. Jerry Sanders enjoyed sharing the story of how he acquired this building.)

The Sanders will be celebrating the boutique’s 50th anniversary from noon to 5 p.m. Friday with an open house, cake and punch. They look forward to visiting new and long-standing customers.

When asked if he plans to retire soon, Jerry Sanders laughed.

“I didn’t have time to make plans,” he said.

The first days

The artists who inspired Jerry Sanders to open the boutique – his mother, Louise White Prater, and his twin, Lucille White Hammond – were born in 1920 in Springfield and died in 2009 and 2014, respectively.

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They spent their lives raising their children and painting.

The sisters’ works of art continue to be displayed and for sale at the National Art Shop. Jerry Sanders said he has hundreds of other paints in stock.

The twins tried out just about every medium available, but watercolor was their favorite. A number of their works have been printed, including five autumn scenes of Ozarks that the late John Q. Hammons had reproduced for hanging in every room at Chateau on the Lake near Branson, according to a News article. Leader of 2016.

When Jerry Sanders opened the store in 1970, the two women worked there for several years.

Jerry Sanders' mother and twin sister painted many works of art for sale at the National Art Shop.  The store, located at 509 S. National Ave., is celebrating its 50th anniversary this year.

Jerry Sanders recalled that business was rather slow at first, but picked up as word spread among local artists. Then the colleges found the store, he said, and their little store at 1375 S. National Ave. was quickly packed.

Jerry Sanders was looking for a building again and set his sights on the then Brigance Food Lane grocery store, located at 509 S. National Ave.

“I thought it was the perfect building for the art shop,” he recalls. “Every day, when I drove by, I thought about it. Finally, one day I saw a sign in the window that said something like “25% off. And I thought I’d better check that out. They might close. “

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It didn’t take long for the sign to change 40 percent, he said. It was then that he contacted the owner of the building, Lester Brigance, and told him about his idea for a larger art store.

Brigance had another offer on the building and had handed over the keys to this potential buyer. Brigance asked to see the National Art Shop.

“I showed him the basement and the first floor and the top floor. It was just packed,” Jerry Sanders said. “He said, ‘You need a bigger building.’ I said, ‘Yes, I know that.’ “

“He said, ‘Well, I want to meet your wife,'” Jerry Sanders said, looking at Jean. “Do you remember that?”

The National Art Shop is celebrating its 50th anniversary.

Jean Sanders said yes and urged her husband to conclude the story.

“His stories go on and on,” she said, shaking her head.

“So they invited him and his wife to dinner,” continued Jerry Sanders. “I introduced Jean and of course she has this strong accent. And he’s from the South.

“He found out that I was married to a girl from the South, so he said, ‘I’m going to sell you my property.'”

And while Jerry Sanders credits his wife’s southern accent and charm to helping him land the building, Jean Sanders said Brigance has something else on his mind as well.

“He wanted this to remain a family-type business,” she said. “That’s what he had. He wanted it to stay that way.”

A wide variety of picture frames and art books are for sale at the National Art Shop.  The store, located at 509 S. National Ave., is celebrating its 50th anniversary this year.

About the National Art Shop

National Art Shop offers personalized frames. All the work is done in-house and no appointments are necessary (but you can call to schedule an appointment at a specific time that suits your schedule).

The store offers over 5,000 frame styles, including ornate and classic, traditional to contemporary, in your choice of wood, metal, lacquer, acrylic or leather. It also offers a wide selection of ready-made photo frames.

The store sells arts and crafts supplies including books, canvases, paints, mediums, finishes, paper, brushes, pens, markers, tapes, and adhesives.

Stores are open 9 a.m. to 5.30 p.m. Monday to Friday, 10 a.m. to 5.30 p.m. Saturday, and closed on Sunday.

Visit nationalartshop.com or call 417-866-3743.


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Shop Art Art Shop: an art residence in the hills of Himachal Pradesh

The third edition of the Unique Residence took place last week in a small village called Gunehar

You will find her working in a blue house as you go up the village. If you have any difficulty just shout his name, ”said Frank Schlichtmann, the man behind Shop Art Art Shop, a unique art residency that has become the pride of Gunehar, a small village in Himachal Pradesh. Schlichtmann was directing me to an artist’s “shop” on top of a hill.

In 2013 Schlichtmann came up with the idea for Shop Art Art Shop aka SAAS, and invited artists from all over the country and from all disciplines to spend three weeks in the village working in abandoned houses and shops, using local infrastructure and in the light of curious spectators. The first edition featured 13 emerging artists and attracted over 6,000 visitors. The second edition in 2016 attracted more than 10,000 visitors. The third edition took place last week.

Illustrator Sheena Deviah at SAAS 2.

As I ascended in the direction indicated by Schlichtmann, admiring the picturesque Dhauladhar mountains dotted with houses with slate roofs, a group of villagers enthusiastically urged me to move on. Slowly my joyous ascent turned to dismay when I saw that most of the houses I passed were mostly blue. After half an hour of huffing and puffing, shouting the artist’s name in vain and without a telephone network, I decided that I was lost. And at that point, I came across a house that was more pink than blue, with the Antar Rekha / A Fine Line nameplate.

Inside, I met studio potter Devyani Smith, who insisted she was not an artist; upstairs above her was painter Asmita Sarkar’s space titled Uncanny Shop. Around a hot cup of tea, they recounted the storm of the day before.

Only criticism

A frail old man stumbled out of the “shop” and joined us. The house was his; he had “let him out” for the art residency. He had moved into his son’s new modern house just behind it. Every afternoon, he infallibly came home for a nap. “He’s our only critic here,” Smith said. “When it sank yesterday, it helped cover all of our work with tarps.”

“Villagers usually don’t charge renting their homes for art stores,” said Bapil Kapoor, who had just returned home on leave from the army and was volunteering with SAAS.

SAAS-3 was made up of a curious motley of artists, including a textile designer, storytellers, a musician, a director of photography, a multimedia artist, filmmakers and ceramists. The 11 artists worked in their assigned “shops” from 9:00 am to 5:00 pm for more than three weeks before the residency ended with a week-long fair last Saturday. The theme of the edition was “Borderlines,” an exploration of the complexities of living in a world where borders are reimposed rather than dismantled.

The FoundOnAllFours collective.

The artists found different ways of approaching the theme: from mapping and studying the changing boundaries of nature-human habitat (Sultana Zana) to seeking a meaningful identity transition (Smith); from telling stories that shift the boundaries between reality and fantasy (FoundOnAllFours) to documenting changing fashion trends (Pramila Chaudhary). There were as many mediums as there were ideas: ceramics and found objects (Sarban Chowdhury), visual stories (Amritah Sen), documentary (Gaurav Gokhale), music (Yash Sahai) and tuk-tuk cinema (KM Lo).

Art to the people

“Why Gunehar,” I asked Frank. “No one asks why there are art galleries in cities. We need to take art out of tight, elitist spaces and make it more accessible to people, ”he said. Perhaps it is this urge that keeps him alive even when a lack of funds stares him in the face. “I cannot be a fundraiser, curator and sweeper,” he said.

SAAS is Schlichtmann’s provocative response to what constitutes the idea of ​​art as practiced by institutions and galleries, given the poor infrastructure available for contemporary Indian artists and the culture of exclusion prevalent in the art world. With the Gunehar Triennial, he hopes to create a platform for emerging artists from various disciplines, where they can work without the constraints of a studio structure. In order to make the artistic process itself open, transparent and understandable to the public, visitors are invited to come and observe the artists at work. Over 100 artists applied for the residency this year; 12 were selected.

A woman and her portrait at 'In the Woods', an earlier event organized by Schlichtmann.

A woman and her portrait at ‘In the Woods’, an earlier event organized by Schlichtmann. | Photo credit: Frank Schlichtmann

As I was leaving the “blue” house in search of other artists, I met Lo, a guerrilla filmmaker from Hong Kong who, along with the children of Gunehar, made a zombie movie that collected 2.2 million views on YouTube. “The kids loved putting on red luscious paint and walking in slow motion,” he said. This time, his plan was to build a tuk-tuk or autorickshaw with materials available in the village. It became a bioscope during the day with a built-in cinema projecting onto the wall and roof of the automobile. According to Lo, the children of Gunehar were very picky about the movies they watched, preferring Star Wars and zombie movies to recent Bollywood movies.

Yash Sahai, a musician from Mumbai spoke about converting his art store into a recording studio. “I want my guitar to sound like it belongs to here,” he said, speaking of how he recorded the music of the Gaddis, a herding tribe in Himachal Pradesh. “I want to create a repository of sounds.”

When I got home, I realized that cities don’t need to be the center of the world. In the midst of picking the ripened wheat, Gunehar also reaped a rich artistic awareness.

The writer works in visual media in Mumbai.


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The Little Art Shop set to debut in mid-January

FAIRFIELD – The Clay Station will reopen soon with a new name, The Little Art Shop, familiar faces and new artists.

Fabric aritsts Jeri Serota and Kathy Matsumura didn’t want the place to close when manager Joni Anderson moved. The duo take on the Mankas Corner store, with the help of the other co-op members who inhabit the Clay Station.

Longtime friends started selling their artwork at the Clay Station a few years ago. They work under the name of Green Valley Fabric Artisans.

After touring craft fairs, Serota and Matsumura were looking for a permanent home for their work when they approached Anderson.

Anderson was aware of their work, Serota said. She let them sell seasonally at first.

“It was a great transition for them,” Matsumura said, adding that the Clay Station had not sold fabric art in the past.

Both became members of the cooperative.

Serota and Matsumura say they’ve been quilting for at least 20 years. Both do a variety of art on fabric.

“I had to diversify,” Serota said. “No one needed my quilts anymore.”

Matsumura works with recycled sweaters to create his art. It emphasizes cashmere and lambswool.

“I have to think outside the box,” she said.

The Clay Station closed on December 24 and all artists moved their works so that new shelves could be installed and the walls could receive a fresh coat of paint in new colors.

Serota and Matsumura have been working since Boxing Day to prepare the store for its grand reopening on January 16.

Visitors will also be greeted by a spectacular front door. It will be green and purple.

“It’s a different look,” Serota said.

Anderson wanted to keep the name Clay Station so that the co-op members came to a consensus on The Little Art Shop to reflect the variety of art that will fill the shelves, from jewelry to ironwork.

Matsumura and Serota have lived in the area since 1982 and 1991, respectively.

Both loved the Mankas Corner area and its history. Their building once served as a gas station.

Members of the cooperative run the store. Mastsumura and Serota said they like to converse with those who stop.

And it’s really funny when people who come to tell them that they bought an item there in the past.

“It’s a place where locals can visit and support local art,” Serota said.

The Little Art Shop is located at 2529 Mankas Corner Road. The opening will take place from 10 a.m. to 4 p.m. on January 16.

Hours of operation will be noon to 3 p.m. weekdays, 10 a.m. to 4 p.m. weekends.

The phone number is 422-4942.

Contact Amy Maginnis-Honey at 427-6957 or [email protected] Follow her on Twitter at www.twitter.com/amaginnisdr.



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Art shop! | The Daily Star

Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep
– Scott Adams

Art is an act of expressing feelings, thoughts and observations. Art has had a great number of different functions throughout its history. Previously there weren’t many art or stationery stores in the capital. Only a specific few were located in New Market and Nilkhet. Everyone from art students to schoolchildren had to travel far and near New Market to buy stationery. It was both inconvenient and time consuming for consumers who had to travel far and wide to buy a simple sketchbook or pencil.

For all the latest news, follow the Daily Star’s Google News channel.

However, potential customers no longer have to worry; an art store recently opened at Shankar Plaza in Nizam. The store will benefit not only art students, but also students studying fashion design, architecture and even graphic design.

Sagar Sengupta, the proud owner who was himself a fine arts student, always felt that there were no art shops in Dhanmondi and his attraction to art materials helped him open. the shop. “It’s not just a store, it’s a place where you can sit and talk about your ideas,” Sagar said. The shop has everything an artist would need, from a simple sketching pencil, brush, colors, fine art manuals, and more. canvas, easel, sketchbooks in various sizes, notepads, oil pastel colors, acrylics, watercolor, etc. like outside of Dhaka and across the country at a low rate, ”says Sagar.

All these materials are checked and stored in the shop by Sagar itself. He makes sure that every product is of good quality, which is why he buys most of the materials himself and makes sketch paper, canvas, etc. shoddy products, the paint can spoil after a while. ”he said.

All of these good quality art materials are available at very reasonable prices. Visit the boutique yourself and discover the joy of discovering art. You can also share your works with them. They could help you sell your piece.

Contact: Nizam’s Shankar Plaza, 1st Floor, Store No.218, 72 Satmosjid Road, Dhaka. # 01714359826, 01830377080.
Follow them on twitter https://twitter.com/ARTSHOP16 and Facebook https://www.facebook.com/ArtshopBangladesh/timeline

Through Mehnaj Kabir
Photo: Sazzad Ibne Sayed



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Brown, RISD Graduates Develop Online Statistical Resource

Daniel Kunin’s 2017 statistical visualization project “Seeing Theory” recently caught the attention of students, schools and educators. Working alongside Rhode Island School of Design graduate Tyler Devlin ’17, Daniel Xiang ’17 and Jingru Guo, Kunin created visually stunning representations of statistical concepts ranging from probability to inference. The website uses real-world examples to supplement classroom learning.

Kunin teamed up with Guo for the final project in a web applications course at Brown, and together the team created the first version of “Seeing Theory”.

“The (original) goal was to create these interactive visualizations that could contextualize the concepts in an introductory statistics course,” Kunin said.

“All of the (previous) resources seemed out of date and I couldn’t find any interactive visualizations,” Xiang said. “Today’s online education was in plain text with no interaction. After being accepted as a Royce member to continue his work on the project, Kunin shared the team’s work with a few data scientists and math bloggers, one of whom tweeted about it.

The project has gone viral.

Since its launch, “Seeing Theory” has grown from being just an additional resource to more of a living online manual, Kunin said. “We have significantly expanded the written content,” he added. “We provide more detailed written context for each visualization. We’ve also added a whole new chapter on Bayesian Inference and changed a lot of visualizations.

Xiang said he was excited about the clarity of the explanations offered by “Seeing Theory”, given the complexity of the subject, he said. “It’s all in a small, concise bite-sized module, and it’s really accessible. ”

With RISD training, Guo brought “a whole new perspective on design” to the project that the rest of the team didn’t own, Kunin said. The project helped her launch her career as a designer, teaching her how to create a product from scratch using modern design tools, Guo added.

Xiang joined the project after Kunin’s initial work with Guo, and they discussed expanding their team to include Devlin. “We got together at New Baja and sat for two hours talking about the project,” he said. “I thought (the project) would be a good way to consolidate all these topics that I had taken up in undergraduate.”

Kunin sees the development of “Seeing Theory” coming to an end in the near future. The team hopes to tackle the remaining bugs before volunteers take over to translate the website into Italian, Chinese, Polish and a number of other languages, he said. “We’ll get to a point where we’re happy with the results, (and) then we’ll just let it become a resource on the Internet.”

“Working on any project, it’s always hard to say it’s a place where I can end up. Guo said. “There is always a balance between finish and perfection.

Xiang hopes the project will be integrated into classrooms to help visual learners, although it is not intended to completely replace first-grade statistical education.

“Aesthetics are a very important part of learning,” Kunin said. “Math especially; for me math is a very beautiful field and for some students the best way to teach math is to share this beautiful side.


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Northwich Art Shop Wins North West Top Prize

NORTHWICH Art Shop beat stiff competition to win a prestigious regional award.

The store, located on Witton Street, was named the 2017 Best Arts and Crafts Supplier at the North West Enterprise Awards, after taking on the challenge of many large companies.

Owner Phil Bower was shocked when he found out his customers had nominated the store for the award.

“It’s great to know that our customers have such great regard for us and I would like to know who appointed us so that I can thank you,” he said.

“When we heard it made us very proud – we’ve worked hard since taking over the business over three years ago to create a business that meets the needs of our creative community and hopefully inspire people to participate in the arts.

“I know many great arts and crafts retailers in the area, so winning is almost beyond our wildest dreams.”

Mark Henshaw, Head of Northwich BID, added: “I know people come from far and wide to buy supplies and get advice from the Northwich Art Shop and this is highly regarded by the art community not only in Cheshire but also in all of the northwest.

“We have so many amazing independent businesses here in Northwich and it’s always great when they receive recognition and awards from national organizations because they deserve it.”


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Anthony Bourdain and Max Hazan from the Raw Craft Online series – Robb Report

What happens when you blend some of the best Speyside whiskeys in the world, an outspoken culinary master and a bespoke motorcycle builder? You get gross. Raw craftsmanship, This is. The online series, produced by the Balvenie distillery, highlights rare artisans in the United States who share their craft with an audience of nearly 40 million viewers since 2015. Producer of some of Speyside’s finest single malt Scotch whiskey, the famous spirits brand called on Anthony Bourdain, the author, television personality and celebrity chef to host the series.

Now in its third season, the show has explored a variety of trades, including shoemakers, typographers, whiskey distillers, and even a cutler who handles meteorites for cutlery. The latest episode debuts today, one that stars motorcycle builder Maxwell Hazan from Hazan Motorworks.

Max Hazan and Anthony Bourdain hit the road

Photo: Courtesy of Balvenie

Hazan produced 15 custom bikes during his career, ranging in cost from $ 30,000 to over $ 100,000, with high-end bikes taking over six months to build. Its unmistakably styled bikes feature vintage motors, hand-formed aluminum and, at least in one case, a blown-glass oil tank.

As the episode began filming in downtown Los Angeles, RobbReport.com had the chance to sit with Hazan and Bourdain in the Hazan Motorworks workshop. The 800-square-foot enclave, perched high above the Fashion District and beyond the vibrant chaos of fruit vendors and assorted textiles, is a gearhead’s paradise – a studio where bikes are both functional and formalities materialize in motorized sculptures like no other.

Antoine, why did you choose Max Hazan as the subject for this series?

Anthony Bourdain: She’s a remarkable person who makes extraordinary things by hand, in direct contrast to conventional wisdom and the expectation of what one should do with one’s life – it’s a romantic notion that I feel. attracted.

What was it like to ride a Hazan Motorworks motorcycle?

AB: We were in what is called Pinto Valley, and it was awesome. I’m a novice and he showed me how to do it given my limited skills, it was amazing.

Hazan Motorworks Supercharged Ironhead Ducati

Hazan Motorworks Supercharged Ironhead Ducati

Photo: Courtesy of Shaik Ridzwan

How are Max’s motorcycles different from others you’ve ridden throughout your life?

AB: Well, I think you just have to look at them to understand the work that goes into it, that each piece is made by hand, it shows at first glance. They ride like any bike I have ever experienced.

Is it their aesthetic that you find so convincing?

AB: Yes, but they are also fully functional. There are no superfluous design features on its bikes. Everything works, everything has a purpose. They are quite minimal and beautiful.

I can appreciate minimalism and maximalism. I tend to aspire to austerity. It is in a way the Japanese minimalist approach, a flower in a vase rather than an entire bouquet, beauty reduced to the essential. But I like something really extravagant and baroque sometimes too, it depends on my mood.

Max Hazan and Anthony Bourdain in Max’s studio sharing a glass of Balvenie whiskey

Photo: Courtesy of Balvenie

Max, what do you find so distinctive about your motorcycles?

Max Hazan: I was ready for that question, because I thought Anthony would ask me. On paper, there isn’t much of a difference. There are two wheels and a motor. But you don’t have to be a motorcycle enthusiast to love my bikes. Suppose someone walks by the parked motorcycle, they don’t need to know what kind of bike it is, but it does affect them. I think that’s the difference. It’s something that appeals to everyone, whether they understand the mechanics or not.

Does every bike have an owner before it is finished?

MH: Now it is. And that’s how I like to build bikes. It was a little scary at first when I was going to spend six months building something and didn’t know what was going to happen. So when I have a commissioned project, that’s fine, because I have a schedule to build it, and I always stick to the schedule. I treat it like I treat my old business [an interior design & contracting company in New York City]. I have to finish on time, I have to deliver and it should be.

Is there anyone else involved in the building process?

MH: I have part-time help coming in but it’s really difficult when you build a one-off creation to delegate the processes. I have tried and I usually end up with someone looking at me. It’s hard. If someone asked me to build an exact replica of an existing bike, I would have a team of three. We would finish it in a month. But there would be nothing unique about the bike. That’s why it’s starting from scratch every time.

It seems to be part of your creative force. You approach each bike with a fresh outlook, challenging your own artistic personality.

MH: I still think that maybe one day the well will run dry. What will happen when I can’t think of anything? But usually at some point in each project I have an idea for another. So far, I haven’t missed one.

Does each bike start on the drawing board?

MH: I usually start from an idea of ​​an engine, a valuable engine that is a unique mechanical part. Usually the engine will dictate what I want to build around it and then I start to introduce it.

Hazan Motorworks Motorcycle

Hazan Motorworks Supercharged KTM Motorcycle Featured In Raw Craft Episode

Photo: Courtesy of Shaik Ridzwan

Where do you find your inspiration?

MH: I find that if you take care of the rest of your life, your health, your personal relationships, and you think with a clear mind, then it will come. I’ve always been obsessed with making things no matter what, I just loved building things from my imagination. I didn’t have a predetermined goal to become a motorcycle builder. I built a few motorized creations from bike parts in my dad’s garage when I was injured from an off-road driving accident and unable to work. I suddenly found myself making custom motorcycles.

How has your building process evolved over the years?

MH: I’m self-taught with all of this, I didn’t do my apprenticeship with anyone. Usually it’s all in my head unless it’s a precision part for an engine, so I’m going to write everything down because there is a control and, with the engine, there isn’t a lot of room to error, everything must be done perfectly.

When I first worked for myself, it was hard, because you don’t know when you’ve done enough; there is no reference for when the day begins or ends. So now I work ten hours a day and then I go home. I find that after ten hours productivity, like the efficiency of the brain, drops. You start to make mistakes and go down the wrong path.

Do you have a favorite bike that has been around the world? Or is it still to come?

MH: They’re all coming. I really like the process of building the bikes. A lot of people ask me if I am sad when they leave. Not really. I’m usually ready for the next one. I mean, I have a little attachment to everyone, but it all comes out for me during the creation process, and I can move on.

For more information or to place an order, contact Max Hazan at [email protected]


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MBA Students Help Salt Maker Malden Build Online Marketplace | Company

Fresh eyes and a fresh perspective can fuel business growth, even for a business that has been around for a few years, like JQ Dickinson Salt-Works in Malden.

That’s what co-founder Nancy Bruns said after the salt-making company, which began in 1817, received help last week from four University of Michigan MBA students to develop an online marketplace for Appalachian food and craft vendors. The students spent a week at the company and gave Bruns a 32-page report on Friday on how to grow the website and get more businesses in the area to participate.

“I think as a business owner it’s easy to get caught up in the day-to-day work and lose sight of your long-term vision,” Bruns said. “I’ve always wanted to have a platform for local growth, and having this expertise in town to help me is something I don’t want to refuse.”

The students visited JQ Dickinson Salt-Works as part of the University of Michigan’s Ross Open Road initiative, based on Harvard University’s Across America MBA program, which helps local businesses across America to achieve their community development goals.

This year, three teams each visited five small businesses in five weeks. The WCKD team, consisting of Wiles Kase, Colleen Hill, Kenji Kaneko and Dilparinder Singh, made their final stop at JQ Dickinson Salt-Works.

The program helps students gain experience outside of the classroom by immersing them in real life situations where they are required to quickly learn about the company and its situation, Hill said. In return, companies receive help from students in anything they aim to implement, whether it is strategic planning, awareness and marketing, or adjusting some aspect of their business. operations, she added.

“This attracts an atypical business student who wants to understand local businesses across the country,” Hill said. “A lot of [the program] concerns the social impact that these entrepreneurs can have if given the right direction.

Traveling by rental car, the team began their trip to Michigan, helping the Detroit Training Center launch a program connecting Flint residents with employment opportunities. The team then traveled to Omaha, Nebraska, to help Gilden Tree, a small business specializing in eco-friendly body care products, followed by Ba-Nom-a-Nom of Denver, which sells a fruit alternative to ice cream. The fourth destination was New Orleans, where the team worked with the Roots of Renewal community development association in New Orleans on a marketing campaign.

After wrapping up their week with Roots of Renewal, the team was eager to help JQ Dickinson Salt-Works in his efforts to boost similar businesses in the region.

“When we learned [Bruns’] passion for community development and helping entrepreneurs in this field to sell their products nationwide and get more business, that intrigued me and all my teammates very much, ”said Hill.

The JQ Dickinson Salt-Works story also caught the team’s interest, Hill said. The business dates back to when the Dickinsons first drilled for brine – the source of salt – from the ancient Iapetus Ocean beneath the Appalachian Mountains. The Kanawha Valley rose to prominence in salt production soon after, but Dickinson’s salt trade eventually died out in the 1940s, Bruns said.

Bruns and Lewis Payne, two descendants of the Dickinson family, relaunched the company in 2013. The company still uses the Iapetus Ocean as a source of brine, which is evaporated in solar greenhouses, and then the remaining salt is harvested at the hand. This salt is then packaged and sold to customers, which include more than 500 different retailers and restaurants nationwide, according to Bruns.

With JQ Dickinson being the last stop on the tour, the WCKD team had gotten used to the initiative process for each company.

“We arrived on Sunday and Monday, we’ve gathered all the information we can about the company,” Kaneko said. “On Tuesday we started to take charge of the project and understood what we really wanted to do with [J.Q. Dickinson Salt-Works’] online platform.

Ahead of the team’s visit, Bruns said she originally wanted JQ Dickinson Salt-Works to help distribute products from local suppliers to retailers. That quickly changed once the students arrived and noted the low profit margins involved in going through a middleman, and instead suggested developing a website where sellers could show and sell their products, according to Bruns.

Bruns said she liked the idea because it still worked towards her goal of helping local businesses, including her own, expand their presence nationwide. About 13 companies are considering entering the online marketplace, including Brookstone Soaps and Bluestone Mountain Farm, she added.

“There really is a future in Appalachian cuisine,” Bruns said. “If we can partner with and promote other artisans and suppliers, it can really help everyone in West Virginia grow.”

Kase said many of the initiative’s companies are startups without a lot of capital or an established brand to work with, but JQ Dickinson Salt-Works was the opposite.

“We have been able to operate at a higher level here on the strategic and tactical spectrum,” he said. “So we can really make their project bigger and better than what we’ve done before. “

Bruns said she hopes programs like the Ross Open Road initiative will make West Virginia a frequent stop to help local businesses in the state improve and improve others.

“I feel very lucky to have been a part of the program,” she said. “It’s hard to say in words how valuable something like this is to a business. “


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Maison Numen offers a multitude of Latin American crafts online

Launch of a new Maison Numen online platform with Latin American crafts

Nowadays, people are increasingly interested in the authenticity of their design – always intrigued by the craftsman behind the cutlery or the craftsman responsible for the intricate weaving of their rugs. The new Maison Numen online store takes it a step further, capturing design stories from hidden corners in often overlooked areas of the design world.

The brand’s first project explores Latin America. From the craftsmen of the peripheral Venezuelan part of the Andes to the Mexican colonial pockets, Maison Numen shares these indigenous talents in a first collection entitled “Latin Animae Vol 1”.

The inaugural range includes textiles, woodwork and ceramics, all from Peru, Guatemala, Venezuela, Mexico or Colombia. What they have in common: they are all handcrafted in their region of origin, transposing their cultural characteristics into unique works of art.

After traveling themselves to collect the creations, the founders Jessica Macias and Ana Caufman strive to share the special culture of their star designers, telling us about the difficulties they had to cross these places. The Amazon River in Venezuela, for example: “Everything is dry right now,” says Bader Gonzalez, Marketing Director of Numen, “so you can’t even access it right now”.

Ordered according to the themes “Atlas”, “History” or “Materials” on the Maison Numen website, each piece has a personality and character that relates to its origin. There is a slight quirk in the Talavera technique and katalox wood that can only be found in Mexico, and a sense of softness in the organic “Wii” baskets created in the Amazon rainforest by its female indigenous inhabitants.

While many of these pieces remain traditional in style, a contemporary look is evident in the clean, creamy ceramics made from Jiutepec clay, from Morelos, Mexico. Designers have rejuvenated the tropical material and turned it into modern, minimalist design pieces.

“We grew up with them,” Macias says when asked which model was his favorite, “they’re our babies! The Maison Numen is launching a second collection, ‘Latin Animae Vol 2’, in September.


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An art shop to fill the vacant space of the town hall

KITCHENER – The city has been leasing a top retail location from a local entrepreneur in hopes of livening up an empty space since February.

Lauren Weinberg hopes her new store, Open Sesame: Arts, Books and Objects, will be a local source of small home furnishings and design items that people might otherwise be looking for in Toronto. But she also hopes it’s a vibrant place that celebrates local artists.

Weinberg moved to the Chicago area just over a year ago, when her husband was offered a job at the Perimeter Institute in Waterloo. She had worked as an art editor and was interested in connecting with the art scene here.

City officials said the prominent space in the west wing of City Hall has been vacant since February. With a sluggish economy and the construction of trams making access to the city center at times difficult, the city began to actively seek a tenant who could bring the window-filled space to Carl Zehr Square to life.

In addition to selling prints and art books, design pieces, ceramics and jewelry, Weinberg plans to hold small art exhibitions and rotating workshops in the 1,150 square foot space. As a mother of young children, she wants this to be a kid-friendly place that parents skating in the square can drop by to browse.

“I was really interested in having a space for contemporary art, a welcoming place, where people can meet contemporary art and where it just feels very accessible,” she said.

She hopes to organize “as many public events as possible,” such as workshops on knitting or bookbinding, a book club for young mothers, a workshop for teens or the elderly on zine publishing, and plans to collaborate with other local arts organizations.

“This would add vibrancy to Carl Zehr Square, thereby contributing to the community and enhancing the downtown experience,” says a report from Monika Grau, City Business Development Officer.

Weinberg hopes the store, for which she signed a one-year lease, will appeal to downtown workers, people in the tech industry, and people who move into downtown condos, and use the media. social media to inform customers as new stock arrives.

The boutique will have a provisional opening on October 31 for the Halloween Night / Shift festival, with an exhibition by Amanda Rhodenizer, a Fine Arts graduate from the University of Waterloo.


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